Target dependent femtosecond laser plasma implantation dynamics in enabling silica for high density erbium doping | Diaphragm Assembly

Gallery Hours Tuesday, Wednesday, Friday* & Saturday: 10 am — 5 pm Thursday: 10 am — 8 pm Sunday: 11 am — 4 pm Closed Mondays

The Burchfield Penney Langley H. Kenzie Award was created to honor Mrs. Kenzie’s dedication as an artist and to support others like her. It recognizes an outstanding artist from the biennial, juried exhibition, Art in Craft Media, by granting the recipient a solo exhibition in the following year. The award is supported by the Langley H. Kenzie Award Endowment, established by her daughters, Rachel King and Mary Mahley.

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"These planes are not safe to fly. They're not maintained properly," Sarris said. "They've got a crisis in (these aircraft), and they're not dealing with it."

Pre-registration is required for this tour. Walks on are not permitted, due to the limited capacity on this tour. Online registrants will receive a confirmation email. If you prefer to register over the phone, please call (716) 852-3300. If you have any questions, please contact Olivia at (716) 852-3300.

“It was a wonderful opportunity for my son to learn new technology that can enhance his creativity,” stated Sarah Walsh, a parent of a Rock Autism student. “The program engages individuals living on the autism spectrum who are struggling to gain employment.” Alea Conte, Executive Director of Rock Autism agreed by saying, “Our students were very fortunate to have such an understanding and capable instructor in Dan Pisari, from Squeaky Wheel. He brought the best out of the students.”

Tadese and Fanos and Yerushalayim and Nasrawi and the rest of the Africans? If a person endangers his or her life getting out of a country, it must be what the president of the United States calls a shithole. East Germany, for instance, the GDR where Angela Kasner was born, grew up, and apparently declined to be a Stasi fink, must’ve been a shithole with Marxist-Leninist characteristics. And what about the country he or she risks dying or getting killed to get into? That must be heaven, be it West Germany or Israel.

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Professor emerita of Ceramic Art at Alfred University, the number one ranked ceramic art Master’s program in the country by U.S. News and World Report, Currier was recently named first-place recipient of a 2017 Virginia A. Groot Foundation Grant. Her sculptures are represented in numerous private and public collections, which include the Metropolitan Museum of Art, New York City; Renwick Gallery of the National Museum of American Art, Smithsonian Institution; Daum Museum of Contemporary Art in Sedalia, Missouri; Musée des Arts Decoratifs de Montréal; Los Angeles County Museum of Art; Museum of Contemporary Art, Kyung-ju, South Korea; and Hermitage Museum, St. Petersburg, Russia.

Heading back he draws attention to a traditional graffito: Mavet la’aravim—“Death to the Arabs.” Plus another, no less traditional: Ha-kibush mashḥeet—“The Occupation Corrupts.” There’s a pair of soldierettes toting M16s. Digital scales everywhere, harder to monkey with. As for right-wing pennants like the ones for the Beitar soccer team, named after the youth organization founded by Zev Jabotinsky, he remarks that nowadays you see fewer of them and more illustrated posters like the one over there hailing the late Menachem Mendel Schneerson, the Lubavitcher rebbe of Brooklyn, white snowy beard, eyes like drills, possibly the messiah, possibly not.

“Currier’s sculpture is both a study in balance and an invitation to discovery,” said Nancy Weekly, exhibition curator. As she has stated, her Anamorphosis series reflects, “the interplay of masses and voids. Absence and presence, light and shadow, stasis and motion are subject matter. The dimensional tension and dynamics of human figures found in Greek and Buddhist temple pediments, and most recently, the structural flatness and synthesis of planar shapes in Cubist still-life paintings intrigue me.”

The exhibition is fittingly presented in the Sylvia L. Rosen Gallery for Fine Art in Craft Media, named for the Burchfield Penney’s patron whose generous support makes the biennial exhibition possible, as well as collection development. Past recipients of the Langley H. Kenzie Award include Bethany Krull (2010), Karen Donnellan (2012), Jesse Walp (2014), and Jozef Bajus (2016), who respectively work with ceramics, glass, wood, and fiber with recycled materials.