Currier’s latest tiles, designed in eight variations, will be displayed in public for the first time on two free-standing walls in the Burchfield Penney exhibition. She utilized both wheel-thrown and hand-built techniques to create undulating waves, articulated in both positive and negative profiles, and coated with uniquely formulated glazes that accentuate the rise and fall in the tiles’ surfaces. One is a semi-opaque iridescent satin white; the other is an opaque charcoal satin that breaks with a bronze sheen.
Anne Currier is a sculptor whose medium is ceramic, and she is the recipient of the 2018 Langley H. Kenzie Award which entitles her to a solo exhibition. In Display, Currier will present sculpture from her Anamorphosis series, plus a new collection of wall-mounted sculptures created specifically for the exhibition, and an installation of tile panels designed this year in collaboration with Boston Valley Terra Cotta in Orchard Park, New York. Opening October 12, 2018 at the Burchfield Penney Art Center at SUNY Buffalo State as part of the museum’s M&T Bank Second Friday event, the exhibition will remain on view through Sunday, March 31, 2019.
The Burchfield Penney Langley H. Kenzie Award was created to honor Mrs. Kenzie’s dedication as an artist and to support others like her. It recognizes an outstanding artist from the biennial, juried exhibition, Art in Craft Media, by granting the recipient a solo exhibition in the following year. The award is supported by the Langley H. Kenzie Award Endowment, established by her daughters, Rachel King and Mary Mahley.
Admission Adults: $10 Seniors (62 & over): $8 Students (with ID): $5 Children (age 10 & under): FREE when accompanied by a paid adult/senior admission SUNY Buffalo State Students, Faculty & Staff: FREE United States and Canada Active Military and their families: FREE Erie County Veterans: FREE Burchfield Penney members: FREE (click here for all the benefits of membership)
Among those saying we need a new convention center are, no surprise, our convention and visitors’ bureau, Visit Buffalo-Niagara, and members of the business community. Among those saying no way or no thanks to this project or new convention centers in general are some urbanists and economists.
“Much of my work is derived from human interaction. Imagine making an impression in the sand from sitting on the beach, getting up and seeing the residual shape formed,” describes Currier. “I also remember being inspired watching a couple do Tai Chi, intrigued by the physical call and response of their hand gestures.”
Cars with automatic transmissions may need a slightly richer idle mixture setting to allow the engine to idle smoothly in gear. For tight converters, we’ve had to add a half richer mixture to keep the engine running in gear. Much of this is determined by the tightness of the converter.
Despite periodic overhauls and “a lot of maintenance love,” the 55th Wing’s 29 planes average more than 80 emergencies and aborted flights per…
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Drawing some inspiration from nature’s palette observed from her Allegany County home and studio, Currier creates surfaces reminiscent of mottled boulders, slate and rust, as well as intangible fog.
Zaman’s practice stems from a desire to bring different, and at times socially opposing, cultures together to highlight the beauty in each, and to call to attention a need for understanding. Oddly enough this is communicated via language that isn’t understandable, but that exact illegibility is what helps create a universal experience. Unable to read the text, the viewer is left to contemplate the intent of the artist and to glean meaning by focusing on the layers, both in the form of monochromatic and colorful applications of paint. There is room for both intellectual reads and more instinctive responses.
The memorial is free and open to the public from August 20 to August 26 (daily, 11 a.m. to 8 p.m.) at Canalside.
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