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Currier’s latest tiles, designed in eight variations, will be displayed in public for the first time on two free-standing walls in the Burchfield Penney exhibition. She utilized both wheel-thrown and hand-built techniques to create undulating waves, articulated in both positive and negative profiles, and coated with uniquely formulated glazes that accentuate the rise and fall in the tiles’ surfaces. One is a semi-opaque iridescent satin white; the other is an opaque charcoal satin that breaks with a bronze sheen.

Admission Adults: $10 Seniors (62 & over): $8 Students (with ID): $5 Children (age 10 & under): FREE when accompanied by a paid adult/senior admission SUNY Buffalo State Students, Faculty & Staff: FREE United States and Canada Active Military and their families: FREE Erie County Veterans: FREE Burchfield Penney members: FREE (click here for all the benefits of membership)

About Anne Currier Anne Currier received her B.F.A. from the School of the Art Institute, Chicago and her M.F.A. from the University of Washington, Seattle. Ms. Currier has received fellowships from the National Endowment for the Arts, the New York Foundation for the Arts and the Virginia A. Groot Foundation. She was honored with the American Crafts Council College of Fellows career achievement award.

2. Accelerator Pump Linkage AdjustmentIf your engine has an annoying stumble just off idle that you can’t seem to fix, check the accelerator pump linkage. Lightly open the throttle linkage and watch the accelerator pump squirter in the primary venturi. The moment the throttle linkage moves, fuel should exit the nozzle. If it does not, look first for slack or clearance between the vertical accelerator pump linkage arm and the lever that moves the actual accelerator pump diaphragm.

ABOUT THE ARTIST: Muhammad Z. Zaman is a Buffalo-based painter specializing in calligraphy and is a resident artist at Buffalo Arts Studio. This year, Zaman was selected as the Open Buffalo Emerging Artist and was also awarded a New York State Council on the Arts Decentralization Individual Artist Grant. Zaman has participated in many community-based initiatives, including Common Ground Connections, part of a nationwide interfaith campaign facilitating bringing communities together through the arts.

That modulator valve simply cannot fail. So on the assembly line, we do a check after every step, whether it’s inserting a diaphragm or driving screws. The line is controlled by PLCs. If any process is out of spec, the line will stop and the part will be rejected.

Please join us for an opening reception on Friday, December 7, 2018, 6-9pm. The Gallery will be open late on first Friday January 4th for a closing reception.

Wave springs are used in place of compression springs where tight load deflection is needed in a small space. Some electric motors pre-load their bearings with a type of wave spring that lowers noise.

No matter the composition, a good spring is one that can return to equilibrium again and again without any lasting dimensional damage. A well-designed spring should perform for a long time, which is probably why so many go unnoticed and unconsidered until they break.

There is no role for statin therapy in AS.13-15 Co-existent hypertension or heart failure in patients with AV disease should be treated accordingly. Current NICE guidelines (reviewed in 2015) state that routine antibiotic prophylaxis for infective endocarditis is not indicated in patients with AV disease.16

Commissions will vary depending on the local market, discounts and other factors. In general, Alex Soriano said, veterinarians can expect to take home around $100 from a call. 

“Currier’s sculpture is both a study in balance and an invitation to discovery,” said Nancy Weekly, exhibition curator. As she has stated, her Anamorphosis series reflects, “the interplay of masses and voids. Absence and presence, light and shadow, stasis and motion are subject matter. The dimensional tension and dynamics of human figures found in Greek and Buddhist temple pediments, and most recently, the structural flatness and synthesis of planar shapes in Cubist still-life paintings intrigue me.”