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As the French are passionate about car racing, the filmmakers of Hong Kong are fanatical about fighting. It’s universally agreed-upon, by the society and culture, to put great emphasis on the fighting. In some cases, they will spend a couple of months on one fight sequence! In the U.S., a fight sequence gets maybe two or three hours. When people go to the movies in Hong Kong, they may go just to see the work of the fight director, who, in some cases, has equal billing with the director. American movies that come over with less than spectacular fight sequences have a hard time in that culture.

The Burchfield Penney is closed in celebration of New Year’s Day, Independence Day, Thanksgiving Day and Christmas Day.

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Currier’s latest tiles, designed in eight variations, will be displayed in public for the first time on two free-standing walls in the Burchfield Penney exhibition. She utilized both wheel-thrown and hand-built techniques to create undulating waves, articulated in both positive and negative profiles, and coated with uniquely formulated glazes that accentuate the rise and fall in the tiles’ surfaces. One is a semi-opaque iridescent satin white; the other is an opaque charcoal satin that breaks with a bronze sheen.

The Freak Drop with Tropidelic & Zach Deputy at Iron Works The Freakstomp Music Festival & Tropidelic present : The Freak Drop 2019 Pre-NYE party with Tropidelic & very special guest Zach

In AR, the LV is filled from the left atrium and via regurgitation from the aortic root, causing a volume overload. The increased ventricular end-diastolic volume increases LV contraction through the Frank-Starling mechanism. Progression of the condition leads to eventual failure of contractile fibres and dilatation of the ventricle.

Currier’s latest tiles, designed in eight variations, will be displayed in public for the first time on two free-standing walls in the Burchfield Penney exhibition. She utilized both wheel-thrown and hand-built techniques to create undulating waves, articulated in both positive and negative profiles, and coated with uniquely formulated glazes that accentuate the rise and fall in the tiles’ surfaces. One is a semi-opaque iridescent satin white; the other is an opaque charcoal satin that breaks with a bronze sheen.

Beginning in 2009, Currier has collaborated with Boston Valley Terra Cotta to create unique ceramic tiles for interior walls. Her first commission, La Stanza di Linea, is a 14 x 40-foot wall in the Choral Room in the Miller Performing Arts Center at Alfred University. Incorporating three different tiles to create the pattern, the tiles were mounted to the wall utilizing Boston Valley’s unique clip system. Next, BKSK, the architectural firm that designed 688 Broadway, a 14-unit luxury apartment building in New York City’s NOHO neighborhood, chose one of Currier’s Boston Valley Terra Cotta tiles for installation in the entryway.

Professor emerita of Ceramic Art at Alfred University, the number one ranked ceramic art Master’s program in the country by U.S. News and World Report, Currier was recently named first-place recipient of a 2017 Virginia A. Groot Foundation Grant. Her sculptures are represented in numerous private and public collections, which include the Metropolitan Museum of Art, New York City; Renwick Gallery of the National Museum of American Art, Smithsonian Institution; Daum Museum of Contemporary Art in Sedalia, Missouri; Musée des Arts Decoratifs de Montréal; Los Angeles County Museum of Art; Museum of Contemporary Art, Kyung-ju, South Korea; and Hermitage Museum, St. Petersburg, Russia.

The Burchfield Penney Langley H. Kenzie Award was created to honor Mrs. Kenzie’s dedication as an artist and to support others like her. It recognizes an outstanding artist from the biennial, juried exhibition, Art in Craft Media, by granting the recipient a solo exhibition in the following year. The award is supported by the Langley H. Kenzie Award Endowment, established by her daughters, Rachel King and Mary Mahley.

Yes, in three days it’ll be Easter and in two days Passover 2018—or 5778 by the Jewish reckoning, i.e., since God created heaven, earth, and the hill in Jerusalem now defaced by the gargantuan Holyland project where apartments commanding no-doubt-breathtaking views go for millions of dollars, and half of which Russell understands are owned by people from abroad who use them for a week or two yearly or by speculators who flip them.

The exhibition is fittingly presented in the Sylvia L. Rosen Gallery for Fine Art in Craft Media, named for the Burchfield Penney’s patron whose generous support makes the biennial exhibition possible, as well as collection development. Past recipients of the Langley H. Kenzie Award include Bethany Krull (2010), Karen Donnellan (2012), Jesse Walp (2014), and Jozef Bajus (2016), who respectively work with ceramics, glass, wood, and fiber with recycled materials.